English Standards (11 & 12)
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Standard |
Relationship to course textbook |
Related Class Activity |
ESLRs |
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Reading |
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1.0 Word Analysis, Fluency, and Systematic Vocabulary
Development |
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Vocabulary and Concept Development |
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1.2 Apply knowledge of Greek, Latin, and Anglo-Saxon roots and affixes to draw inferences concerning the meaning of scientific and mathematical terminology. |
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1.3 Discern the meaning of analogies encountered, analyzing specific comparisons as well as relationships and inferences. |
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2.0 Reading Comprehension (Focus on Informational Materials) |
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Structural Features of Informational Materials |
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Comprehension and Analysis of Grade-Level-Appropriate
Text |
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2.3 Verify and clarify facts presented in other types of expository texts by using a variety of consumer, workplace, and public documents. |
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2.4. Make warranted and reasonable assertions about the author's arguments by using elements of the text to defend and clarify interpretations. |
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2.5 Analyze an author's implicit and explicit philosophical assumptions and beliefs about a subject. |
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Expository Critique |
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3.0 Literary Response and Analysis |
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Structural Features of Literature |
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Narrative Analysis of Grade-Level-Appropriate Text |
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3.3. Analyze the ways in which irony, tone, mood, the author's style, and the "sound" of language achieve specific rhetorical or aesthetic purposes or both. |
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3.4. Analyze ways in which poets use imagery, personification, figures of speech, and sounds to evoke readers' emotions. |
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3.5. Analyze recognized works of American literature
representing a variety of genres and traditions: |
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3.6 Analyze the way in which authors through the centuries have used archetypes drawn from myth and tradition in literature, film, political speeches, and religious writings (e.g., how the archetypes of banishment from an ideal world may be used to interpret Shakespeare's tragedy Macbeth). |
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3.7 Analyze recognized works of world literature from a
variety of authors: |
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Literary Criticism |
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3.9 Analyze the philosophical arguments presented in literary works to determine whether the authors' positions have contributed to the quality of each work and the credibility of the characters. (Philosophical approach) |
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Writing |
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1.0 Writing Strategies |
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Organization and Focus |
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1.2 Use point of view, characterization, style (e.g., use of irony), and related elements for specific rhetorical and aesthetic purposes. |
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1.3 Structure ideas and arguments in a sustained, persuasive, and sophisticated way and support them with precise and relevant examples. |
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1.4 Enhance meaning by employing rhetorical devices, including the extended use of parallelism, repetition, and analogy; the incorporation of visual aids (e.g., graphs, tables, pictures); and the issuance of a call for action. |
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1.5 Use language in natural, fresh, and vivid ways to establish a specific tone. |
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Research and Technology |
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1.7 Use systematic strategies to organize and record information (e.g., anecdotal scripting, annotated bibliographies). |
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1.8 Integrate databases, graphics, and spreadsheets into word-processed documents. |
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Evaluation and Revision |
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2.0 Writing Applications (Genres and Their Characteristics) |
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2.1 Write fictional, autobiographical, or biographical narratives: |
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2.2 Write responses to literature: |
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2.3 Write reflective compositions: |
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2.4 Write historical investigation reports: |
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2.5 Write job applications and resumés: |
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2.6 Deliver multimedia presentations: |
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Written and Oral English Language Conventions |
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The standards for written and oral English language conventions have been placed between those for writing and for listening and speaking because these conventions are essential to both sets of skills. |
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1.0 Written and Oral English Language Conventions |
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1.1 Demonstrate control of grammar, diction, and paragraph and sentence structure and an understanding of English usage. |
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1.2 Produce legible work that shows accurate spelling and correct punctuation and capitalization. |
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1.3 Reflect appropriate manuscript requirements in writing. |
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Listening and Speaking |
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1.0 Listening and Speaking Strategies |
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Comprehension |
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1.2 Analyze the impact of the media on the democratic process (e.g., exerting influence on elections, creating images of leaders, shaping attitudes) at the local, state, and national levels. |
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1.3 Interpret and evaluate the various ways in which events are presented and information is communicated by visual image makers (e.g., graphic artists, documentary filmmakers, illustrators, news photographers). |
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Organization and Delivery of Oral Communication |
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1.5 Distinguish between and use various forms of classical
and contemporary logical arguments, including: |
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1.6 Use logical, ethical, and emotional appeals that enhance a specific tone and purpose. |
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1.7 Use appropriate rehearsal strategies to pay attention to performance details, achieve command of the text, and create skillful artistic staging. |
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1.8 Use effective and interesting language, including: |
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1.9 Use research and analysis to justify strategies for gesture, movement, and vocalization, including dialect, pronunciation, and enunciation. |
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1.10 Evaluate when to use different kinds of effects (e.g., visual, music, sound, graphics) to create effective productions. |
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Analysis and Evaluation of Oral and Media
Communications |
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1.12 Identify logical fallacies used in oral addresses (e.g., attack ad hominem, false causality, red herring, overgeneralization, bandwagon effect). |
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1.13 Analyze the four basic types of persuasive speech (i.e., propositions of fact, value, problem, or policy) and understand the similarities and differences in their patterns of organization and the use of persuasive language, reasoning, and proof. |
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1.14 Analyze the techniques used in media messages for a particular audience and evaluate their effectiveness (e.g., Orson Welles' radio broadcast "War of the Worlds"). |
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2.0 Speaking Applications (Genres and Their Characteristics) |
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2.1 Deliver reflective presentations: |
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2.2 Deliver oral reports on historical investigations: |
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2.3 Deliver oral responses to literature: |
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2.4 Deliver multimedia presentations: |
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2.5 Recite poems, selections from speeches, or dramatic soliloquies with attention to performance details to achieve clarity, force, and aesthetic effect and to demonstrate an understanding of the meaning (e.g., Hamlet's soliloquy "To Be or Not to Be"). |
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